How can cultural workers respond to climate change? Can the cultural work of responding to climate change be a global conversation? In his latest addition to his General Intellects collection of critical appreciations, McKenzie Wark writes about the novelist Amitav Ghosh's influential lectures on "the great derangement."
In this excerpt from his memoir, Juan Goytisolo reflects on the early months of his exile from Franco's Spain in France and his encounters with French intellectuals and PCF militants in his effort to launch a Spanish-language political and cultural journal.Â
Brecht’s verses say uncomfortable truths rather than toe party lines and so offer us a still vital critique of the economic forces behind war, of how wartime rhetoric becomes a lie machine unfairly demonising and dehumanising our foes.
Brecht considered War Primer part of “a satisfactory literary report on my years in exile,” as he wrote in a 1944 journal entry. Since this first English language reception of War Primer on the centenary of Brecht’s birth in 1998, what are we now to make of his poignant modernist epic of four-liner lyrics and scrapbook photos? Today, in our post-crash era, with its renewal of Marxism, Brecht the formalist can be freed from a series of postmodern qualifications. War Primer’s historical intervention can be seen in a new way today. With the far right politically relevant again, Brecht’s image-by-image analysis of social democracy, America, and fascism, which is the veritable heart of War Primer, possesses fresh relevance.
Perry Anderson probes Edward Thompson's work on William Morris and his defense of utopianism. Â
The capture of the postmodern by Jameson has set the terms of subsequent debate. It is no surprise that the most significant interventions since his entry into the field have likewise been Marxist in origin. The three leading contributions can be read as attempts to supplement or correct, each in its own way, Jameson's original account. Alex Callinicos’s Against Postmodernism (1989) advances a closer analysis of the political background to the postmodern. David Harvey's Condition of Postmodernity (1990) offers a much fuller theory of its economic presuppositions. Terry Eagleton's Illusions of Postmodernism (1996) tackles the impact of its ideological diffusion. All these works pose problems of demarcation. How is the postmodern to be best periodized?
This year sees the Golden Jubilee of Guy Debord’s The Society of the Spectacle and Gabriel Garcia Marquez’s One Hundred Years of Solitude. Both are darkly pessimistic texts that speak to our times. They pinpoint the shortcomings of the 1960s generation as much as embody its utopian desires. They transmit a strange optimism, a backdoor sense of hope, and offer another take on what our lives might be.
In this essay Andy Merrifield, author of The Amateur, looks at the importance of these texts on their 50th Anniversary.
