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A groundbreaking cultural history of 1960s New York, from the legendary writer on art and film
Like Paris in the 1920s, New York City in the 1960s was a cauldron of avant-garde ferment and artistic innovation. Boundaries were transgressed and new forms created. Drawing on interviews, memoirs, and the alternative press, Everything Is Now chronicles this collective drama as it was played out in coffeehouses, bars, lofts, storefront theaters, and, ultimately, the streets.
The principals here are penniless filmmakers, jazz musicians, and performing poets, as well as less classifiable artists. Most were outsiders at the time. They include Amiri Baraka, Bob Dylan, Allen Ginsberg, Yayoi Kusama, Yoko Ono, Nam June Paik, Carolee Schneemann, Jack Smith, Andy Warhol, and many more. Some were associated with specific movements (Avant Rock, Destruction Art, Fluxus, Free Jazz, Guerrilla Theater, Happenings, Mimeographed Zines, Pop Art, Protest-Folk, Ridiculous Theater, Stand-Up Poetry, Underground Comix, and Underground Movies). But there were also movements of one. Their art, rooted in the detritus and excitement of urban life, was taboo-breaking and confrontational.
As J. Hoberman shows in this riveting history, these subcultures coalesced into a counterculture that changed the city, the country, and the world.
A fast-paced ride
Nobody in America writes as well about culture and film as J. Hoberman
The dish, plus the mentions of virtually every downtown address where people lived and worked, gives a vivid sense of the ’60s avant-garde as a physically and personally close-knit group and the art they created as a collective enterprise. Minutely detailed descriptions of movies, plays, concerts, and “happenings,” from underground classics (the Living Theatre’s Paradise Now) to the truly obscure (Barbara Rubin’s multimedia event, Caterpillar Changes), also make palpable the period’s anything-goes ethos.
A striking countercultural history of New York City. [Everything is Now] is a thrilling conjuration of a head-spinningly innovative time and place.