Everything, All the Time, Everywhere

Everything, All the Time, Everywhere:How We Became Postmodern

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A radical new history of a dangerous idea

But where do these ideas come from and how have they impacted on the world? In his brilliant history of a dangerous idea, Stuart Jeffries tells a narrative that starts in the early 1970s and continue to today. He tells this history through a riotous gallery that includes, amongst others: David Bowie * the Ipod * Frederic Jameson * the demolition of Pruit-Igoe * Madonna * Post-Fordism * Jeff Koon's 'Rabbit' * Deleuze and Guattari * the Nixon Shock * The Bowery series * Judith Butler * Las Vegas * Margaret Thatcher * Grand Master Flash * I Love Dick * the RAND Corporation * the Sex Pistols * Princess Diana * the Musee D'Orsay * Grand Theft Auto* Perry Anderson * Netflix * 9/11

We are today scarcely capable of conceiving politics as a communal activity because we have become habituated to being consumers rather than citizens. Politicians treat us as consumers to whom they must deliver. Can we do anything else than suffer from buyer's remorse?

Reviews

  • Erudite and entertaining ... Everything, All the Time, Everywhere is a detailed and convincing horror story of the amalgamation of the two most dominant intellectual paradigms of the past half century.

    Ryne ClosSpectrum Culture
  • Jeffries is a rarity: a journalist with a serious interest in cultural theory ... who writes about it in a way that is both scholarly and welcoming to non-theorists ... entertaining and astute

    Joe MoranTimes Literary Supplement
  • In holding a mirror to a familiar world, Everything looks to reveal hidden complexities ... eminently readable, without eliding the difficulties that are so key to its intrigue

    Daniel BaksiThe Arts Desk